Author: admin@sarahshotts.com

  • Rediscovering the Gift Economy

    (OR) THE INTERNET BEFORE IT BECAME A CAPITALIST HELLSCAPE

    The year is 1999.

    Every morning I sit down at a computer that looks roughly like this:

    And I engage with an Internet that is much different than our own. Rather than being served up content from various data mining corporate entities I am very intentional with how I spend my time.

    1. I doodle while listening to this insufferable sound as I waited for the Internet to load.

    2. Logging into Wotmania and check the message boards. (Every single day.)

    3. Checking my email – hosted through the local phone company. There were so few messages reading each one was actually exciting.

    4. Visiting other websites by “surfing the web” either from website to website through hyperlinks or typing very specific terms into search engines. When I found something I loved I would bookmark it to come back to.


      Sarah Shotts is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.


    5. Joining a virtual scavenger hunt called Cyber Surfari where search engine Lycos partnered with various collaborators to hide clues across websites for participants to find. It was sponsored by Discovery Channel, Hewlet Packard, and National Education Association. The time I spent participating in Cyber Surfari had an outsized impact on my ability to find what I’m looking for online.

    4. When I did find what I wanted I often printed it out. I remember printing inspiration quotes for my actual cork board.

    6. Logging into NaNoWriMo message boards every day of October and November. Sometimes for research, but mostly for vibes. Egregiously Erroneous Information was a favorite.

    6. Saving drafts of my novel on 3 1/2 floppy disks.*


    THE INTERNET WASN’T “BETTER” BUT IT WAS MORE INTENTIONAL.

    Furthermore, what we’ve gained in image resolution and loading times we’ve lost in connection. Those early days felt like a playground of possibility.

    Websites weren’t easy to monetize yet.

    Everything on the Internet was a labor of love.

    Writing, images, even software was given freely. No one was using click bait because the structures that favored clicks weren’t yet created. Websites were shared and linked to because users found them interesting or funny.

    Over the last 6 months I’ve done a deep dive into researching the “early” Internet.

    I took over 10,000 words of notes from various articles and books (which you can trawl here). I have more than enough to write a scholarly article. But now that I’m here I don’t really care to use them. LOL

    I can’t point with forensic clarity at the moment the Internet “changed.”

    But I am wondering… when did we stop capitalizing it?

    There was no single moment of corruption. Over time capitalism did capitalism. Spaces became monetizable and websites with a lot of traffic began to monetize.

    There are definitely benefits. Artists & makers & authors can find new audiences and patrons can support creators to keep doing what they love.

    But there’s also * waves hands * the rest of the garbage that came with monetization. The algorithms, the data collection, the noise, the click bait, the paywalls, the walled gardens, the misinformation, and the rise of reactionary content.

    Most days the Internet feels like this:

    But it didn’t always.


    THE EARLY INTERNET WAS A GIFT ECONOMY.

    Because there wasn’t a robust system of monetization back then, the incentive you had to create was to participate in a growing gift economy.

    There was a culture of creating to share with others – from flashing GIFs, to “seamless” tiled backgrounds, to fan message boards. Artists and coders made free wallpapers and screensavers and even free software called “freeware.” I was part of a “sig tag” group where members used fonts and clip art to make signatures you could attach to “sign” your email. We’d type in each member’s name (around 15-20) and email the image files for the group. Some of us used real names and others had nicknames like Queenie and Halfpint.

    THIS WASN’T BARTER OR TRADE.

    No one was keeping a tally of how much each person contributed. You gave your time and energy, and others were generous in return.

    Over the last year I’ve made a discovery.

    THE WHEEL OF TIME FANDOM STILL FUNCTIONS IN A GIFT ECONOMY.

    For most of us it is not a job. It’s our passion. Among this fandom I have seen a depth of generosity that seems unfathomable.

    It has been complete culture shock (of the best kind.) And it reminds me of how the Internet used to feel in the late 90s and early 00s.

    It’s no coincidence that this fandom has been around since the 90s on fan sites like Theoryland and Dragonmount.

    A gift economy functions because when you feel the warmth of generosity you want to contribute. When you walk into a new space and are welcomed you turn and welcome the next person. When you see someone shares something cool with the fandom you want to share something cool too.

    I wrote a bit about this experience last August.

    One year later, something has become crystal clear.

    I cannot continue to pivot between these paradigms anymore.

    It’s dizzying.

    I WANT TO ENGAGE IN THE INTERNET AS A GIFT ECONOMY.

    I have no interest in selling art or paywalling content. Every time I get pulled into the creative business whirlpool I regret it.

    I’m not closing my bookshop, but I also have no intention of becoming a “full time” writer. That allows me to make and share what I want. Rather than focusing on creating content that “converts to sales.”

    I’m not trying to convince anyone to nuke their business.

    If you’re a full time artist be a full time artist. I love that for you. I support lots of creatives online and will continue to do so.

    But if the capitalist framework isn’t sitting well for you there is another way.

    YOUR ART ISN’T ANY LESS VALUABLE IF YOU GIFT IT.

    Is a handsewn quilt less valuable than a bedspread from Pottery Barn?

    Of course not.

    We need to stop letting the dominant culture brainwash us into undervaluing the gift exchange.

    WHAT IF WE TREATED THE INTERNET AS A COMMUNALLY TENDED GARDEN?

    Or a fermenting compost heap?


    BUT HOW WOULD THAT WORK?

    LET’S INTERNET LIKE IT’S 1999

    1. Create from your passion. Forget everything you’ve been told about offering value, funneling customers, and capturing eyeballs. Be authentically you and I guarantee that will resonate with someone.

    2. Give freely. I’m not going to begrudge you a shop or a paywall, but if you want to Internet like it’s 1999 most of what you offer is going to be for free. When you give freely people will want to support you when they have the opportunity to do so. A lot of the people harping on about funnels actually built their careers over decades of working for free. But they can’t charge $$$ for a marketing course to teach you that.

    3. Spend your time and energy engaging with, appreciating, and sharing work that other people make. I know that we are all overwhelmed with content now. But instead of doom scrolling you could slow down to read a blog post and write a kind comment, share an indie musician’s new song, or write an email to someone who inspires you.

      You are not the main character of this story.

      It is about us all.

    Illustration of The Great Pattern from Wheel of Time intro. A visual depiction of how we are all interconnected featuring Aes Sedai from each Ajah.

    TIME TO WALK THE WALK

    I’m in the process of removing the paywall here on Substack.

    This month I’ve unlocked another session of Camp Kindle. (Last month I unlocked the Wonder session.) I created both of these for adults, but I’ve heard families really love doing the activities together.


    IF YOU’D LIKE TO SUPPORT MY WORK YOU CAN:

    • Leave a comment!

    • Share my work.

    • Pledge $3+ on Patreon or Substack.

    • Buy my book.


    LET’S DISCUSS

    How can we create spaces of reciprocity and connection in an online world that wants us to see each other as a “target audience”? How do we reframe the value of our work outside of capitalism? If we do sell work how can we contribute in other ways to an online gift economy and support other creators?

    Cheers,

    P.S. If you missed last month I’ve decided to remove the paywall and send snail mail to my paying supporters instead. You can read that here.


    ** Personally I experienced the crush of change online between 2013 and 2016 (which incidentally is the time we stopped capitalizing the Internet… maybe there is something there.)

    *** To bring more intentionality into my own Internet experience I’m spending more time on RSS and less time on apps, using Ecosia instead of Google (the AI snippets are killing me), and burrowing into my algorithm free Discord groups.


    Archived on my blog.

  • Free Creative Summer Camp 🦋✨🍄

    Watercolor, Giant Bubbles & Marbled Paper

    Hey y’all,

    Before I go out of town1 I wanted to invite you to Camp Kindle.

    This is a FREE Creative Summer Camp.

    Camp at your own pace with prerecorded video tutorials for: watercolor, giant bubbles, and marbled paper. Join in with writing prompts, printables, and a color scavenger hunt.

    Camp Kindle was created for the young art heart.

    But I’ve heard that families also love to participate together. I thought unlocking this post first might be especially helpful to families looking for a bit of inspiration.



    This was originally created for paid supporters (back in 2018).

    I’m releasing it freely as part of my pivot to remove the paywall.2

    Last week I wrote about stamps over silos. Instead of paywalling content I’ll be sending snail mail to supporters (on a sliding scale starting at $3 a month). There’s still time to get in on this month’s letter. Details below.



    New here? Subscribe for free for weekly-ish emails about creativity and neurodivergence.


    In case you missed it…

    I’m also hosting an art collaboration open to neurodivergents of any age (another family friendly project). Follow this simple tutorial and submit your weaving to be part of a collaborative work of art.

    Neurokind
    Create a Collaborative Work of Art ♾️
    You’re invited to participate in a collaborative work of art. Follow the tutorial above (or this one) to create a circular weaving to represent your experience of neurodivergence. You will mail your weaving to me and I will connect them making a large collaborative fiber work…
    Listen now

    That’s all for this week folks.

    If you’re inspired to try any of the tutorials I’d love to hear about it!

    Have a lovely fortnight!

    Cheers,

    1

    I’ll be spending a long weekend at WoT Con with my Wheel of Time moots (which I wrote about last year). If you are a WoT moot you should join us! You can still grab virtual tickets here. Something I’ve learned about myself is that I need more time to prepare for and recover from travel. This is part autism and part chronic illness. So you won’t be hearing from me for a week or two.

    2

    This is a process that is going to take some time to unfold as I have to open each individual post to change the permissions. There is no “remove paywall” button.

  • Stamps over Silos! 📬

    My plan to remove the paywall. 🚫

    Greetings from my studio!

    It (my studio) is named The Rabbit Hole. This month a baby rabbit has moved in to our backyard and lives underneath. I’ll spare you the blurry phone photos, but I wanted to share the magic. 🐇💫

    Blue skies and white clouds above my gray green studio

    SS-Header-Ecosystem.png

    My creative ecosystem snapped into place this week!

    I’m working towards removing the paywall. (Sadly there is no “remove paywall” button so it is a process.) So I’ve been trying to decide what to offer paying subscribers.

    I’ve made a radical decision NOT to create any digital “bonus content.”

    No paywalls. No emails. No Zoom calls. No more Internet noise.

    Instead,

    I will be sending letters (hand written or typed on my typewriter) every month.

    Yes, actual paper letters in envelopes.

    Tenniel's illustration of Fish delivering giant letter from Alice in Wonderland

    I’m really excited about this shift for a host of reasons.

    • We are already subscribed to more than we can read.

    • Sending actual letters feels delightfully anachronistic1.

    • What better way to stick it to “AI art”? Let’s go old school and use paper. Embrace imperfection and leave the fingerprints.

    Monthly letters will go out to paying supporters wherever you live in the world. 🌎💫

    Pledges start at $3 a month on Patreon or $7 on Substack.2

    EDIT: To the kind folks asking if $3 covers postage outside the US, it just does. Global stamps currently cost $1.55 which leaves a bit for paper, ink, envelope, and .40 cents processing fees. If you’d like to tip in a bit beyond that for me you can pledge at $5.

    (But I don’t mind sending letters at cost. This is more about connection for me than anything and sending mail overseas is extra cool.)

    Twice a year I’ll send something special – like a sticker or a postcard. And those pledged at the highest level “Patron of the Arts” will receive a yearly Unbirthday Gift with a surprise work of art from me: a print, a zine, a collage, or something else I’ve made. (I’ll do my best to make sure it’s not something you’ve had from me before.)

    I’ll be reaching out to collect mailing addresses soon.

    So if you’re on the paid tier watch out for that. 🥰


    Sarah Shotts is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.


    SS-Header-Making.png

    Continuing the handmade theme I’m trying to work out if we can have old school zines for Neurokind.

    I’m still figuring it out, but signs point to yes.

    Music by dodie


    SS-Header-Reading.png

    I’m just picking up a lot of the books that I stopped reading in my COVID brain fog.

    One of those is How We Might Live (2022) about William and Jane Morris.

    How we might live book cover

    I’m also re-reading two fiction series right now. Wheel of Time and Stormlight Archive (the final book coming out later this year.)

    I’m reading slowly and taking notes on what each author is doing. This is something both Neil Gaiman and Robert Jordan suggested for new writers to do. There is something different in reading “as a reader” and reading “as a writer” which is something both Neil Gaiman3 and Robert Jordan4 both suggest to new writers.


    SS-Header-Listening.png

    A new version of Stargazing is just another chance to hype Myles Smith – a musician I met on my flight to London. His whole crew were sitting in the seats around me and really helpful when I was trying to find my way out of Heathrow.


    SS-Header-Watching.png

    Davy’s new favorite comedy act.


    SS-Header-Book-Dragon.png

    A big moment for a dictionary lover (I used to literally sleep with a dictionary in high school, which my mom found endlessly hilarious)…

    I bought Davy his first Merriam Webster Children’s Dictionary.

    I still remember mine, but I don’t have it anymore.

    It was this one.

    Yellow childhood dictionary by Webster's. Pushpins show images like tadpoles and mushrooms.

    Actually I love this design. I may have just ordered this for myself. 🤭

    I also bought this bird field guide for home ed.

    2024-06-28-Bird-Book.jpeg

    SS-Header-Gardening.png
    Observations from my actual garden…
    My pale hand and my child's touching two pinto bean pods.

    Pinto beans!

    We started these in ziploc bags taped to our window. 💫

    My pale hand behind ripening blackberries.

    Blackberries are also ripening! So sweet!

    It truly feels magical to have food growing in your own backyard.

    This is what I’ve replaced Instagram with.5


    SS-Header-Compost.png
    What’s new on my creative compost heap

    Obsidian 101 is a collection of links for anyone who is new to Obsidian. (I’m no expert, but we can figure it out together.)

    My notes on Black Mountain College have had a bit of a tidy.

    I migrated my notes on William and Jane Morris from my personal Obsidian.

    And I also took some notes from What We Talk About When We Talk About “The Village” by Cat Valente. (I know we all want community and support, but most of us wouldn’t really want to go back to “the village” even if we think we would.)


    SS-Header-Digital-Foraging.png
    Delightful finds of the week…
    • How do I make this our TV screensaver? via Kottke


    SS-Header-Time-Travel.png
    This time last year…

    and


    Ok, it’s time for bedtime routine so I just got this done in time.

    Drop a comment if you see something you want to chat about.

    Cheers,

    P.S. If you want a pen pal you can pledge $3 over on Patreon or join the paid tier on Substack.

    Sarah Shotts is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

    1

    Meaning “belonging to another time.”

    2

    I’ve revived my Patreon so people can support at a lower price point. Substack has a higher minimum pledge level and also takes a bigger cut from creators. I’ve decided to use both platforms, but offer the same perks to supporters no matter where they pledge.

    3

    I’m probably an affiliate, but I can’t be bothered to find the link right now.

    4

    Maybe someday I’ll write about RJ’s Advice for Writers I read in the archives during my trip to Charleston.

    5

    I’m not quitting / deleting Instagram. But I’m definitely dialing back time spent there and reframing it as a community bulletin board versus my personal memory album.

  • Greetings from the Construction Zone 🚧

    And June Rabbit Holes 🐇🏳️‍🌈💫

    Down the rabbit hole header

    You’re receiving this message because you’ve opted in for emails from me – Sarah Shotts. I’m in the midst of a redesign so things may look a bit different from week to week until the dust settles.

    In Ye Olde Internet speak we called this… “under construction.”

    I won’t bore you with the details unless you want them. But I’ve been doing a lot of reflection and testing of different internet platforms and all of that is slowly coming to a close. (If you’re curious about this part skip to this footnote.)1

    Pixelated Lemming characters from a retro computer game wearing hard hats and walking over and around text that reads, Coming soon.

    Rather than wait until I’m “ready” to reintroduce the new direction / name / plan for my newsletter I decided to just jump in before I can overthink it.

    Moving forward I’m planning for things to be more scrappy and more “messy middle”. If and when I write long form posts I will publish them first to my blog and copy them here. Otherwise, it’s just a bit of redecorating.

    I hope you’ll stick around, but if you need to go there’s no guilt.

    I don’t look at unsubscribes.


    Before we move into the next phase, here’s a look back at what I was writing last summer…

    What if we didn’t assume people were straight?

    Wait, is this a coming out post? 🏳️‍🌈


    I had a great response to this one – except someone close to the family who reached out to my husband to see if he was “okay.” 🙄

    If you’re new around here and didn’t realize… I’m nonbinary. I always have been, but finding the language explains a lot and has helped me understand myself better. (Similar to identifying as autistic actually.) I’m not taking questions about gender, but I linked a bunch of resources in the post above.

    I don’t make a ton of content about being queer or nonbinary, but it’s as much a part of me as my autism and neurodivergence. I mention it from time to time to help people realize that more people are queer and gender non conforming than you may realize.

    If you have a problem with this kindly see yourself out without announcing yourself. Strangers on the internet are humans and there is no excuse to be needlessly cruel to someone even if you don’t understand them.


    This is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.


    I wrote this post last summer. It went low key viral (for me) which honestly pulled me way off track because I started thinking I “should” write what people wanted and expected. Which was kind of the opposite of the point. (I know.)

    I also wrote this follow up based on a comment from someone who fundamentally misunderstood my first post. I really believe strongly in the distinction between “branding” and “artistic style” and if you’re feeling pressure to present yourself in a palatable or market-able way I hope you find this helpful.

    Last one, here’s a post that was previously locked for paying subscribers and is now free. (Did I mention I’m in the process of removing the paywall?!?)


    Creative Compost

    Before you go, I’d also like to introduce my Creative Compost Heap to those who haven’t seen it yet.

    This is my take on a Digital Garden. It’s an imperfect home for bits of research, observations, and creative inspiration. This process is integral to my Creative Ecosystem.

    You’ll find notes on books I’m reading, research on various subjects, movies I watch with my kid, and ideas I am unraveling. 🕸️

    Everything is tossed on the heap.

    There it can decompose & form new connections. 🪱🐛🍄


    Right now I’m actively researching…


    Speaking of Neurokind I’ve just announced a new collaborative project open to anyone who identifies as neurodivergent. All you need is yarn / fiber / or strips of recycled plastic or cloth and a paper plate (or embroidery hoop.)

    Neurokind
    Create a Collaborative Work of Art ♾️
    You’re invited to participate in a collaborative work of art. Follow the tutorial above (or this one) to create a circular weaving to represent your experience of neurodivergence. You will mail your weaving to me and I will connect them making a large collaborative fiber work…
    Listen now

    I hit a couple of obstacles with Neurokind recently (for example: all the submissions for the next issue got corrupted) 🫠. But those are almost sorted out and you’ll be hearing more from me over there soon.


    And… I revealed the cover art for my anthology project about creativity and motherhood. Over 30 mothers are involved in one capacity or another and I’m so excited to bring this project to life. (Preorders opening this autumn.)

    Also, final final call to submit a prompt for Ember the accompanying workbook / art journal for mums.

    (Ignore the deadline. If you submit this week you’ll squeak in under the wire.)

    Ok, now I’m all caught up so we can start fresh next week.


    This is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.


    If you want to support me you can…

    • Leave a comment. (It’s free!)

    • Pledge on Patreon or Substack

    • Buy my book or gift one to a friend!


    Now it’s your turn.

    What have you been up to?

    Are you the same person you were last year? Or this morning? 🦋

    Let’s discuss.

    Tenniel black and white line drawing of Alice and the caterpillar

    Cheers,

    Sarah signed with a swoopy S
    1

    Long story short I’ve returned to Substack (although I no longer use the app and manage my own subscriptions via RSS.) None of the other options I’ve tried meet my needs as well – particularly when it comes to a robust comment system. I’m working on a post about my new “tech ecosystem”, but the short version is that I’m writing for my own blog / website FIRST and then copy / pasting that content to Substack for future newsletters. This works surprisingly well and allows me to keep a copy of all I am writing archived on my own domain rather than living behind a silo. More changes are coming including snail mail for paying supporters twice a year. 🐌💌

  • RSS 101

    The Holy Grail of Contemporary Internet Feeds

    I wrote recently about deleting the Substack app and switching to RSS.

    RSS is a reverse chronological, ad free1, feed of what you choose to follow. Basically the holy grail of contemporary internet feeds.

    *cue Spamalot music*

    Then you asked, “But, how?”

    Here is my scrappy Beginner’s Guide to RSS. I’m sure you can find better ones on YouTube, but this walk through includes my personal thoughts on pros and cons of the apps I use.

    Feedly (Apple & Android)

    Net News Wire (Apple Only)

    [Update November 2024] I’m doing a lot of blog reading on my Android eink reader – which has less memory than my phone or iPad, but is easy on the eyes. Feedly seemed to have a lot of bloat (including AI & occasional ads) so I’m now trying out NewsBlur which seems very lightweight, customizable, and has a dark mode. One downside is that is is Android only so I can’t check the same RSS feed across devices.

    If you have any trouble leave your question below. I’m no expert, but we can probably figure it out together.

    Do let me know if you found this useful and what you think of RSS if you try it out.

    Cheers,

    P.S. The creative chaos that ensued while I filmed this.

    1

    Turns out Feedly has ads. However Net News Wire for an ad free RSS experience that has no desires to become “profitable.”

    (Read: On Not Taking Money for Net News Wire.)

  • That's It. I've deleted Substack. 💥

    Navigating the algorithmic Internet.

    The experiment continues.

    I apologize for the somewhat clickbait title. I just find myself doing that here.

    The medium is the message.

    This is exactly why I need out. 🤷

    I’m not quitting Substack, but I am deleting the app.

    I thought I’d write a short piece about this since I’ve chatted with many of you about Substack’s evolution into a social media. Apparently it’s trying to be YouTube now?

    Platforms inevitably evolve for the most profit. Because capitalism. This means they quickly morph from cozy creative havens into fast paced reactionary noise. The more enraged we are the more we engage, the longer we scroll, and the better it is for the investors. I saw this happen on Instagram and YouTube. So I can see the writing on the wall for Substack.

    What I find frustrating is that we can’t have online spaces for specific purposes or energetic capacities. I miss having a platform for just photos and words.

    Why can’t we have more variety between the tech platforms we have online?

    I’ve been looking at alternatives since last year when Substack introduced Notes. I was this close to investing in Substack when they were taking money from writers to “make a writing platform.”

    Then they suddenly decided to go for the Twitter audience and launched Notes.

    Nope.

    Not investing in a social media platform, thank you.


    Kindle Curiosity is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.


    First I tried Ghost.org. I moved my whole membership over there in early 2023. I even tried to use Ghost to build Self Publishing 101. They don’t have a free tier so I bought an annual membership, but even so it has very restrictive limits on file size. Even my short Self Pub podcasts were too large to upload.

    I cancelled the subscription before it renewed.

    Then I tried to delete the app and do inbox only.

    This made me realize I was subscribed to WAY more newsletters than I could read and I started unsubscribing. But it still wasn’t quite right.

    Substack struggles with delivery rates to email inboxes (maybe especially Gmail.) I noticed I wasn’t getting ’s emails – even though I was on their paid tier. I looked in Spam. I searched the Promotions folder. Archived messages. Nothing. I followed this advice from Substack’s support. Still no emails.

    Frustration at missing weekly emails from Cody led me to downloading the app again.

    Once I had the app I found myself scrolling and posting to Notes again.

    That is where I found someone talk about reading Substack with RSS.

    RSS you say? I remember that from the dark days of the early internet.

    I am an Internet Elder.

    One of the early adopters who used to hand code my own websites.

    The internet was a different beast back then.

    I never really got into RSS because I only followed a handful of blogs which I kept bookmarked in my browser. Each time I read a blog post I made a very intentional choice to open the bookmark and spend time there.

    But I knew what RSS was.

    Compared to social media it sounds like the holy grail.

    A chronological, algorithm free, feed with no ads?1

    Sign me up.

    It was pretty clear that RSS was the way forward for me, but it’s taken some time to implement the transition.

    I’m using two RSS apps right now. I’ve moved most Substack to Feedly. When I have a bit of time over a cup of tea I can scroll through everyone’s long form posts and do a bit of digital foraging.

    Publications I’m subscribing to are kept in a separate feed using Net News Wire. This is insurance that I don’t miss anything they post even if Gmail fails to deliver again.

    I finished that process today.

    And I deleted Substack.

    I may pop into notes on a weeklyish basis to respond to comments. And I may sometimes open up the window to “restack” in Safari to share a post.

    But I won’t be living there any more.

    This feels right for me.

    I’m also experimenting with Substack alternatives. Right now I’m sending weekly emails over on Beehiiv to half my list. (The most engaged folks. If you want more emails from me you can sign up here.)

    Meanwhile, folks keep finding me here. At this point I’m trying out monthly digests on Substack that point toward my blog or digital compost heap. Part of this pivot is a desire to archive my long form writing on my own website.

    And I’ll continue using Substack as a course library platform for now. There’s a lot of functionality here available for smaller creators that usually requires a massive investment to something like Podia or Kajabi.


    I’m not telling you what to do.

    We all have unique creative ecosystems and have to make the choices that work for us. But I’m sharing what I’ve done in case it’s helpful. I often find myself paddling upstream dominant culture. So I’m no stranger to doing things in a different way. This is just the newest iteration of that.

    Here are some of the resources I found inspiring and useful during this shift.

    Screentime by Becca Caddy

    This is a light read with actionable prompts to consider what boundaries you might need online. My biggest takeaway from this was learning about the emotional contagion scale and having an additional framework for understanding my autistic experience of hyper empathy.


    Filterworld by Kyle Chayka

    This one is a dense read (I confess to skipping parts – especially the chapter about Tik Tok) that digs into the history of computing and algorithms. If you want the cliff notes version you can listen to this podcast chat with the author.


    Social Media Escape Club

    Have you met Seth?

    His posts have made a huge impact on me. Not only in reframing how I’m engaging with online platforms… he’s also inspired me to buy a roll of film. After shooting digitally for over a decade I’m excited to witness the magic of light hitting film again.


    Slow Lived Substack

    Another inspiration is my friend who embodies slow lived values online. She has a passion for Substack and what it can do for you and your creative work. But she also doesn’t push you to use it in a particular way. Claire offers coaching and mentorship for artists, writers, and multipassionates.


    And conversations like this one…

    Thankful to Kerani and others who have hashed this out with me on Substack Notes, and comments, and newsletter replies.

    It helps to know I’m not alone.


    The final part of my shift has been developing and spending time in my Creative Compost Heap. 🌱

    I’m recentering my energy on my own artistic practice. Then sharing my work (a la ). Somewhere along the way the “content creation” started coming first so I’m essentially inverting my online experience. I’m already seeing the fruit in my creative work and in the depth of connection I’m having in comments and email replies.

    I’ll continue to keep you updated on this experiment.

    Happy to chat in comments.

    I’m planning to check in on a weekly basis rather than trying to keep up with comments as they come. Something I used to do that I’m circling back to. 💫

    Cheers,

    P.S. If you want scrappy weekly updates from me rather than monthly digests hop on my Digital Foraging list over on Beehiiv. 🐝

    1

    Turns out Feedly has ads. I’d highly recommend Net News Wire for an ad free RSS experience that has no desires to become “profitable.”

    (Read: On Not Taking Money for Net News Wire.)

  • Open Call for Ember 🔥

    Creative Workbook for Mothers

    Calling all creative mums.

    Submit art and journaling prompts to be included in a creative workbook for mothers. Remember my anthology project? There is also a workbook and I need more prompts!

    Find all the information below.


    Kindle Curiosity is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.


    Ember will launch alongside Entwined: an Anthology of Creative Motherhood this autumn.

    The purpose of this workbook is to inspire new mums (or mothers in any difficult season) to kindle their creativity within the spaces and capacities they have available.

    This book is for any mom who wants to explore creativity: from professional artists to those who haven’t made art since childhood.

    https://storage.tally.so/6b5c8e2d-0ca3-4675-8bdb-191d17660a2b/IMG_9596_VSCO.jpeg

    Publishing Details

    This is an unpaid opportunity. For compensation you will recieve a free PDF copy for personal use (print for yourself or use on your iPad.) You will also be credited in the book and tagged throughout the crowdfunding campaign.

    Creative Team

    This project will be curated and published by Sarah Shotts. The cover artwork is created by Annie King. Editing by Jessica Allowski. The anthology cover art is by Twiggy Boyer. You can read more about the inspiration for this project here.

    Submission Guidelines

    Your best chance at being included is to submit a specific and engaging creative prompt.

    Skip over self reflective journaling prompts. Think beyond asking a mum to freewrite or reflect on their “perfect day”.

    Ideally I’d like to curate a workbook of unique prompts that explore a variety of themes and creative mediums.

    Some ideas:

    Prompts for dreaming

    Prompts for making

    Prompts for channeling emotions

    Prompts for exploring identity

    Prompts for movement

    Prompts for observation

    Prompts for connection

    Bonus points for visual art prompts and other creative mediums.

    Focus on supplies that are easily obtained: crayons, tin foil, collage, watercolors, pencils, camera phone, etc. Consider also poetry, song, dance, baking, video, voice notes, etc.

    Bonus points for prompts that invite collaboration.

    One of the projects that kept me going as a new mum was a photo exchange project called The Magic Mundane with Claire Venus. We’ll include that prompt in this workbook, but I’d love more ideas for collaboration (beyond photography.)

    • Imagine what a new mum has available and how they can make art while holding a babe.

    • Think of the mother sitting in their mini van waiting to pick up kids from school or by the side of the pool during her kid’s swimming lessons.

    • What about the family on their 10th snow day? Or the whole family is sick AGAIN?

    • How do we keep our creative pilot light burning when our energy is almost nothing?

    • How can we find energy, relief, and self regulation through art?

    Deadline: Extended to October 31!

    Submit your prompt.

  • Creative Compost 🌱

    Recursive Reframing & Unmasking

    Last month I started an experiment.

    Over the last year I’ve struggled with figuring out how Substack fits into my creative ecosystem. There are things I love about Substack. I love the ease of discussion and conversation. I love the invitation to write longform content. I also love that you can also post podcasts and videos and photo essays. The problem is I want to do it all…

    Do all the things meme person with wide mouth and bug eyes arm raised

    This is problematic.


    Kindle Curiosity is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.


    My capacity has shifted greatly since I began.

    When I started “blogging” on Substack my kiddo was in Montessori school and I had hours each weekday to do focused and creative work.

    Now I’ve taken on home educating a twice exceptional student1 whilst trying to make enough art to regulate my nervous system and find creative community.

    I’m doing this with a part time university job (online courses thank heavens) without any child care, baby sitter, or even a family member who can watch our kid for us.

    That’s mostly fine, because we’ve reached a stage where Davy is happy to play LEGO while I work or listen to an audiobook while I grade papers.

    But the reality is I have much less time than I had a couple years ago when I started. Particularly for projects like podcasting or filming videos. As much as I’d like to do them I need most of the time that I do have (when Nathan is off work) to rest.

    Shocking I know. Also…

    It takes me a while to realize my shifting capacity means projects need to change shape.

    I’m getting better at this. I’m much less likely to push into burn out these days.

    BUT I still carry all of those intentions as something I “should” be making. Long form blog posts, YouTube videos, my Neurodivergent Spacetime podcast. (One day y’all!)

    To my credit I’ve been making microshifts for a while.

    But what I’m realizing is that my output has to change radically. Also…

    I don’t really have a creative business. I have a collection of passion projects.

    This has been a long time struggle for me.

    I fell in with the creative entrepreneur crowd (and made some lovely friends) in my early blogging days. But I carried the “shoulds” from that context for a long time.

    • Yes, I’ve self published a book.

    • Yes, I put together a Self Publishing 101 course (not to make money really – just because y’all asked).

    • Yes, I have a tiny niche community over on Discord.

    I’m lucky that lately these have more of less broken even. But none of these were driven by profit.2 They all bubbled out of my creative ecosystem.

    To be clear: there’s nothing wrong with monetizing your creativity and making a career out of it. But also…

    Why do we only value creativity that is profitable?

    I have a whole rant on this that will probably surface as a long form blog post later this year. But it boils down to this…

    I’m trying to recenter my creative practice.

    I want to continue stripping away “best practices” related to sales and growth. And to align my time and efforts toward what I care most about. Right now that means I want to…

    • Make things I’m passionate about (like & the Entwined anthology).

    • Spend more time falling into research rabbit holes.

    • Allow myself to be the eclectic weirdo that I truly am.

    • Stop striving for a “professional” level of perfectionism. (This one is truly hard for me. I usually proofread a bajillion times. You can expect more typos if I’m brave enough to do this.)3

    • Publish and archive long form posts on my own website.

    This was a very long winded way to say… Things are changing a bit.

    Long time readers will remember various “rebrands” and “pivots”, but this time I don’t have a master plan.

    I am just figuring it out as I go.

    That’s scary. But no matter how much I try I can’t figure this out on my head. I have to do this on my feet.

    For now… this email is becoming a monthly-ish digest.

    I’ll be sharing a round up of things I’ve added to my digital compost heap (my interpretation of a digital garden). This means you’ll be seeing notes from ongoing research, works in progress, and ideas I’m noodling around with.

    Raw and unpolished.

    Remember that time my real life compost heap sprouted a papaya tree?

    That was wild. That’s just what kind of space for serendipity I want to open up for my creative process.

    This week I sorted subscribers into two groups.

    One group will get monthly digests via Substack. (That’s probably you.)

    One group will get weekly emails from Beehiiv. (If you’d rather weekly emails you can sign up for those here.)

    I sorted you based on Substack filters for how active you’ve been and how many emails you’ve opened. (I know adblockers mess up the data so if I guessed wrong please rearrange yourselves.)

    This is all an ongoing experiment.

    I’m nervous to change email platforms because engagement might go down. Comments keep me motivated and one of my motivations to create and share online is for connection.

    On the other hand I’m concerned about Substack becoming noisier. They continue to make choices that are transforming Substack from a blogging platform to a social media. I’ve been considering alternatives ever since they introduced Notes.

    This experiment is a middle way.

    I’m not keen to grow much larger than I am. I like knowing who y’all are. I like recognizing your names and joyfully replying to comments without feeling like it’s my job.

    Before doing the split my stats said 80% of y’all were reading in your email inbox. If that’s true maybe I’m overestimating what Substack is bringing to the table.

    There’s only one way to find out.

    Originally I intended to write a short introduction to your first monthly digest. Ha! I’ve waffled on too long to do that now. Sorry for the lack of images. That’s not like me. But it’s past my bedtime.4 And I’m not aiming for perfection right now.

    I’m just doing what I can.

    If you want to see what kind of stuff I’ll be sharing check out my latest update on Beehiiv or grab a shovel and help yourself to some creative compost.

    That’s all for now.

    I’d love to hear from you if something resonates.

    Or share a link to a rabbit hole you’ve been enjoying.

    Cheers,

    1

    I realized recently Davy’s reading vocabulary is at a 4th grade level. He is 4 years old. Pray for me.

    2

    I want to recognize my own financial privilege – why I don’t feel pressure to monetize my creativity at the moment. This is (partly) because of my university job and (mostly) because of my husband’s programming job. Sometime in the future that may change. But I’m doing a lot of unpaid labor in parenting and educating at the moment and something has to give.

    3

    I was not. I need to see the Wizard for some courage.

    4

    Late nights are one of the only windows of quiet time I have. Perks to home educating is that we don’t have to wake up early for a school run so I’m reconnecting to my inner night owl. I tried the early bird thing, but it is not in my DNA.

  • When you’re sick, rest is best. 🤒

    Shifting Deadlines, Chronic Illness & Creative Capacity

    Today’s letter is about capacity, chronic illness, and what’s inspiring me.

    Every seasonal shift I write a personal update for my paid subs and invite them to check in with their projects.

    This month I’ve unlocked the first part of the letter for everyone.

    I did this because I believe it’s powerful to prioritize our health and energetic capacity. I hope by modeling this I can empower others to do the same.


    First, some context.

    I don’t often talk about this, but I have several interconnected chronic illnesses and auto immune disorders.1 This means my body is really bad at fighting off sickness. It’s worse as a parent, because I can never properly rest.

    Starting in university I noticed a pattern of pushing myself to the brink each semester and falling ill over the holidays. Every semester I’d push and crash. Over and over. Twice a year. I didn’t see it as a problem. It just was.

    Looking back I see it differently.

    I was repeatedly pushing beyond capacity and paying the price.

    But parents don’t get to crash and reset twice a year.

    So I’m finally learning to take care of myself.

    I’m paying close attention to my capacity and making adjustments before I reach my breaking point.

    Arbitrary deadlines do not matter more than my health.

    And due dates I create myself are not set in stone.

    Later this month I had planned to crowdfund my anthology project.

    And then I came down with COVID.

    Knowing myself, my body, and my compromised nervous system I knew it was too much. The moment the strip turned pink I realized something had to shift. There was no way I’d be able to record a crowdfunding video and launch a book this Spring.

    I gave it a week and then made the call.

    I’ve postponed the book launch until Autumn.

    We can do that, you know.

    The Many Adventures of Winnie the Pooh (1977)

    Even though I knew it was the right call I was still concerned to send the email.

    But, I needn’t have worried.

    I’m working with mothers and they get it.

    Here’s what they said:

    It’s not easy to take the space you need.

    But it does get easier with practice.

    Right now month I’m practicing the lessons I’ve learned from Daniel Tiger.

    When you’re sick, rest is best. The book can wait.

    The content below was originally paywalled.

    Inverted Seasons

    My experience of seasons is somewhat inverted. I have the most energy in Autumn and the least in Summer.

    That means my experience of Spring is the harvest.

    My projects aren’t bursting to life – they are coming together.

    The first issue of Neurokind came out in late February. I’m really proud of it and I’ve had an epiphany about printing each issue as a zine(!) which I’m really excited about.

    Harvest was also a good metaphor for my planned anthology launch, but as it is I’m putting a pin in that for now. I’ve still managed a lot of progress on that project and am really enchanted with the proofs I have so far. It feels like a bit of an early harvest even though there’s more work to come.

    Here’s a sneak peek at the cover art!

    I haven’t shared this publicly yet, but I am in love with this art and over the moon that Twiggy came on board for this.

    There’s a lot of work left on this project. Once I’m recovered from COVID I’ll pick up the pieces and film the crowdfunding campaign and do another round of proofs.

    I’m also considering using the extra time to our advantage and sending out some advance reviewer copies.

    Beyond the anthology I’m also experimenting with keeping an artist log. It’s a slight reframe on my Down the Rabbit Hole roundup, but it’s not going out to my main list. I felt like I wanted a space I could really experiment and try different things.

    Cabinet of Curiosities by Sarah Shotts
    An Experiment. Art Log 001.
    This was originally published on my own website. This is an experiment in cross posting to Substack…
    Read more

    I might move this project over to Beehiiv (a new platform I discovered through John & Hank Green). A year ago, when Substack introduced Notes, I tried to move to Ghost. But it wasn’t a good fit and cost too much money. Beehiiv is free up to 2,600 subscribers. So I can test the waters with this project and see how it is.

    I know I could send my artist log to my main list.

    But, it feels nice to have a small dedicated group who are up for anything.

    For years that used to be my Patreon supporters or paid Substack tier. But I’m realizing that group doesn’t have to be behind a paywall.

    It’s just folks saying I’m here for the weird and the eclectic and the squirrel chasing.

    If that’s you sign up here:

    This experiment also has me reflecting on why I’m feeling pressures about my main Substack. Who am I writing for? And why am I worried about bothering people who signed up to hear from me in the first place?

    I need to do some journaling about this, but it’s murky right now.

    It started when I went viral (for me.) Some creators I admire started following and I felt like I had to write more of what they signed up for (longform posts versus scrappy creative updates.)

    I love writing longform writing, but it takes so much TIME.

    Eventually I realized I had rather spend that time writing a novel or making art.

    I’m still working it all out.

    Maybe my whole list will become scrappy with occasional long form posts.

    But I want to try that on for size before showing up and saying,

    “I’ve changed my mind AGAIN.”

    And then I realize it’s all masking. And worrying about how I’m perceived.


    Meanwhile, I’m feeling optimistic about gardening this year.

    We’ve been spending a lot of time outdoors while I recover. Davy romps around the yard, “gardens”, or lays face first in clover.

    I’ve finally figured out I can put a plank of wood across my rocking chair arms and have an outside desk. (That’s where I’m writing this from.)

    I could write more, but I’m tired and Davy wants help finding his gardening tools.

    So I’ll call it here.


    What about you?

    How is your creative ecosystem?

    Do you have any projects you’d like to share or check in on?

    How do you match your output to your capacity?

    Let’s chat below.

    1

    I avoid talking about health too often because when I do I tend to get misdirected advice. But, these conditions play a huge part in my life and capacity – particularly since motherhood. Most people don’t realize that neurodivergence (specifically autism & ADHD) have been connected to health conditions like Ehlers Danlos Syndrom (EDS), POTS, and Mast Cell Activation Syndrome (MCAS).

  • An Experiment ⚡

    Recentering my creative practice

    I’m trying something a bit different with my notetaking and blogging practice.

    Long form posts will continue to be published here under .

    Roundup and creative practice style posts (formerly Down the Rabbit Hole) will now be published directly on my website. I’m experimenting with cross posting those to a second Substack publication. If there’s enough interest I’ll keep doing that.

    Substack seems to really value long form content, but these round up / scrapbook / commonplace book type posts are really intrinsic to my own self reflection and creative process.

    So I’m writing these for me, but eclectic weirdos are welcome to come along.

    Here’s a taste of what that might look like.

    You’ll have to subscribe to to get these by email in the future. (Or pop them into an RSS reader if you’re old school.)

    An Experiment. Week 1.

    This experiment is a forward facing commonplace book.

    I’m reading How We Might Live by Suzanne Cooper which I started on my retreat. It’s a biography of William & Jane Morris exploring how Jane was entwined in William’s creative process. Right now I’m fascinated by the clues that they were both neurodivergent.

    Recentering. Week 2.

    I’m attempting to recenter my creative practice.

    If this feels cyclical that’s because it is.

    My creative orbit spiralling closer and closer to something that’s right for me.

    When throwing pottery on the wheel you have to center it first.


    I’m going to keep this separate for a while and see how it feels.

    I reserve the right for future pivots, but right now giving this project a bit of space feels like the right thing to do.

    What have you been making or experimenting with?

    Tell me about it or drop a link below.

    Cheers,